Plato’s Cave is an immersive installation that reimagines the ancient allegory as a sensory encounter with perception itself. At the far end of a long, dimly lit room stands a cave-like structure, its entrance glowing with an ambiguous light. As visitors approach and enter, they cross a threshold between the seen and the hidden. A concealed sensor captures a real-time point cloud of each participant’s body, rendering their silhouettes into shifting, exaggerated shadows that are cast across the surrounding walls and floor. These projections distort and stretch the human form, creating a haunting mirror—grotesque echoes of reality flickering in the darkness. The work draws directly from Plato’s Allegory of the Cave, a foundational philosophical parable from The Republic. In the story, prisoners are chained inside a cave, facing a blank wall. Behind them, a fire burns, and objects pass in front of it, casting shadows on the wall. The prisoners, unable to turn around, believe these shadows are reality—unaware of the true world outside. Only when one prisoner escapes does he realize the depth of the illusion—and the painful process of awakening to truth. Plato’s Cave invites us to reflect on our own perceptions—how we filter, distort, and project reality based on limited inputs. Are we still watching shadows? And what happens when we dare to turn toward the light? “How could they see anything but the shadows if they were never allowed to move their heads?” — Plato, The Republic