Nexus is a transitional space where reality becomes its own reflection and form dissolves into light. At the heart of the installation stands a transparent mirror—a threshold between dual worlds. On either side, projected animations shift between harmony and contrast: mirrored movements, inverted imagery, and complementary colors dance across the surface. What the viewer perceives is not fixed—it hovers in the liminal, between what is seen and what is sensed.
The piece activates only in the presence of the observer. One layer consists of algorithmically generated, real-time animations; the second reacts to body movement, captured by dual Kinect cameras. But the merging of these layers happens not through code—it occurs within the viewer’s cognition. The mirror acts as a mediator, but the image—the meaning—arises in the perceiver.
Nexus explores the boundaries of perception: how we see, what we believe to be real, and how that reality shifts through light, symmetry, and cognitive interpretation. It is a living system, incomplete without presence. Light becomes not just a material, but a language—a gateway to deeper sensory experience.